![]() Any developer that sees someone is using this-and-this for a task can come up with something new to deal with those chores specifically, but of course you’re going to have a new problem, and then a new solution, and then another problem.I use Reaper for producing Radio imaging and all sorts of electronic dance music. It’s always been that way and it always be that way, or we’ll all just end up using Road Hog and Ableton, and show technology won’t advance. I’ve never seen a “live electronic music” setup that didn’t have some weird f**king workaround or some weird ingenious way of combining different things. I don’t think it will ever come to a solution that’s perfect for everyone everyone will always have some obscure, weighted thing. If you could invent the perfect DAW, you’d be doing a lot of people and some companies a favor. Cubase has been a lot more reliable when it comes to timing-specific things. The MIDI in Cubase has always been bang on, where you do global adjustments on timing, like moving a latency slider over a bit, whereas in Ableton, you start f**king with that plug-in delay compensation sh*t, you’re entering into a world of f**king disappointment. I don’t want to give away too much, but on stage there’s a lot of f**king sh*t going on up there, in terms of both Mac and PC. But you can combine the two with a ReWire client, and I’ve found that to be very useful. As an arrangement tool, Ableton f**king rocks, but as an engineering tool it sucks and Cubase rocks. ![]() It's general GUI doesn't seem that geared to mixing but that said when I mix tracks in Ableton, they often come out good when you work around the limitations.Īnd what’s at the core of that workstation?Ībleton is working out, but I’m looking at Cubase these days just for better mix control in terms of the way their busing system works, their EQs, and the way their layout is a little more engineerfriendly. Once you really get to mixing with a lot of plugins, this issue can show its ugly head. Probably the worst Ableton gripe is its PDC implementation. Ableton's automation is also somewhat basic compared to other programs. Ableton's arrange window while not a total slacker and unique in a few areas, lacks several features of traditional DAW. Where Ableton starts to get a little lackluster is in general production and mixing. In Logic for example it is a little harder to get a similar workflow, although Ultrabeat is included, I find Abletons approach more modern. With Abletons Drum Racks, I find the piano roll makes Ableton a pretty decent pattern drum machine programmer. Other traditional DAWS are probably deeper than Ableton in terms of midi, but some of them might be slower or more cumbersome or harder to figure out. Ableton also has pretty good realtime midi effects. While Ableton's midi editing is pretty basic, it is very functional and usually very easy to do simple tasks. Ableton also treat each clip as a unique loop where in most other sequencers you define a global loop point. In most other DAWS this is typically hard. It's Session View is unique and nonlinear and allow you to easily chain other sequences together in realtime. To me Ableton is more geared at creation. Some of them you will have to work a little harder at certain tasks. All of them are perfectly capable of producing hits. You will find that every single one will excel at something while at the same time totally suck at something else. You will only learn by trying some of them out. Honestly if I had to sell my music or starve I'd ditch everything except Ableton suite and only use that, because its logical, immediate and does 10 times more than most people would ever really need. Part of what I love about making music is the technology involved, so I'm happy to spend a day tossing around with trying out another DAW or something because I enjoy it and I have a career that pays the bills. Some people are still knocking out great tunes with versions of software thats 3+ years old, because they cant be arsed to learn the new version. Whether they need spring or convolution reverb.Ī great many people who make decent music don't give a monkeys, they've never been to the ableton forum, they just figure out something that sounds good and go with it. I think the quoted sentence sums up what a lot of people's problem is, they obsess over which DAW is better. JimmyRambo wrote:"Last time i spoke with them they didnt even know the meaning of the word DAW.".ĭisclaimer- I noodle around making music for my own shits and giggles rather than to sell.
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