“The Stanford arts map shows public art distributed relatively evenly across campus, except for the Science and Engineering Quad,” she said. It reminds us that we’re a small part of a large world, and that randomness plays a part in everything.”Īnn Tanaka, BS ’19, another member of the selection committee that chose Pars pro Toto, believes in the importance of bringing art into the SEQ. Sophia Pink, BS ’19, MS ’20, who was a student member of the artwork selection committee, said of Pars pro Toto: “I love this piece because it breaks us out of our day-to-day preoccupations. “The artwork animates the entire SEQ, which looks and feels very different than the one we remember from before the pandemic,” said Tiews. Lowe, the Max Steineke Professor in Earth Sciences at the School of Earth, Energy & Environmental Sciences. In particular, he said, he was pleased to see the deep engagement with geology that has come forward from Donald R. Matthew Tiews, interim senior associate vice president for the arts, associate vice president for campus engagement and chair of the university’s Public Art Committee, which helped support this project, said he is excited about Pars pro Toto’s connections to science and the natural world. I greatly look forward to walking through the SEQ every day, watching people approach and enjoy our wonderful new art piece.” Altering the Stanford landscape “One of the things I find particularly exciting about this work is how it inspires each person to bring to it their own interpretation, their own way of interacting with it. “As students, faculty, staff and visitors return to campus over the coming months, they’re going to find a Science and Engineering Quad that’s been transformed. “I’m thrilled that we’ve been able to bring Pars pro Toto to Stanford, and I’m truly grateful to the many people who helped make this exciting project a reality,” said Widom. Like other recent public art projects on campus that have been underwritten by private donors, Pars pro Toto was funded by a Stanford alumni family who are long-loyal supporters of the university. The highly collaborative process of selecting the work was launched by Jennifer Widom, the Frederick Emmons Terman Dean of the School of Engineering, who asked Laura Breyfogle, then the School of Engineering’s senior associate dean for external relations, to establish an ad hoc committee of faculty, staff and students from throughout the university to select the artwork. ![]() In fact, the artist determined the positioning of the stones by throwing tiny spheres onto a model of the quad to see where they would land. Sited between the octagonal Jen-Hsun Huang Engineering Center at one end of the quad and a double row of poker-straight palm trees on the other end, the spheres of stones sourced from eight different countries give the quad the feeling of a giant play space scattered with marbles, pick-up-sticks and building blocks. bin/mkdir -p /Users/$loggedinuser/Library/Application Support/audacityĮcho > /Users/$loggedinuser/Library/Application Support/audacity/audacity.cfgĮcho ShowSplashScreen=0 > /Users/$loggedinuser/Library/Application Support/audacity/audacity.cfgĮcho MP3LibPath=/Users/Shared/libmp3lame.dylib > /Users/$loggedinuser/Library/Application Support/audacity/audacity.Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet. In all likelihood, this could be used in the same install package, but this does give us the option to use this separately in Self Service or as a login script using outset if needed ![]() I use a second package to deploy config file settings - we don't tend to use Audacity on shared Macs. I use Packages to create my Audacity installer, including LAME library.
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